The cinema of K AT H R Y N B I G E L O W : hollywood transgressor edited by D E B O R A H J E R M Y N & S E A N R E D M O N D R O M E R O : knight of the living dead (second edition) TONY WILLIAMS The cinema of K R Z Y S Z T O F K I E S L O W S K I : variations on destiny and chance M A R E K H A LT O F The cinema of D AV I D LY N C H : american dreams, nightmare visions edited by E R I C A S H E E N & A N N E T T E D A V I S O N The cinema of N A N N I M O R E T T I : dreams and diaries E WA M A Z I E R S K A & L A U R A R A S C A R O L I
The cinema of M I K E L E I G H : a sense of the real G A R RY WAT S O N The cinema of J O H N C A R P E N T E R : the technique of terror edited by I A N C O N R I C H & D A V I D W O O D S The cinema of R O M A N P O L A N S K I : dark spaces of the world edited by J O H N O R R & E L Z B I E T A O S T R O W S K A The cinema of T O D D H A Y N E S : all that heaven allows edited by J A M E S M O R R I S O N The cinema of S T E V E N S P I E L B E R G : empire of light NIGEL MORRIS The cinema of A N G L E E : the other side of the screen (second edition) WHITNEY CROTHERS DILLEY The cinema of T E R R E N C E M A L I C K : poetic visions of america (second edition) edited by H A N N A H P A T T E R S O N The cinema of W E R N E R H E R Z O G : aesthetic ecstasy and truth BRAD PRAGER The cinema of L A R S V O N T R I E R : authenticity and artifice CAROLINE BAINBRIDGE The cinema of D AV I D C R O N E N B E R G : from baron of blood to cultural hero E R N E S T M AT H I J S The cinema of J O H N S A Y L E S : a lone star MARK BOULD The cinema of S A L LY P O T T E R : a politics of love S O P H I E M AY E R The cinema of M I C H A E L H A N E K E : europe utopia edited by B E N M c C A N N & D A V I D S O R F A The cinema of T H E D A R D E N N E B R O T H E R S : responsible realism PHILIP MOSLEY The cinema of TA K E S H I K I TA N O : flowering blood SEAN REDMOND The cinema of T E R R Y G I L L I A M : it’s a mad world edited by J E F F B I R K E N S T E I N, A N N A F R O U L A & K A R E N R A N D E L L The cinema of S T E V E N S O D E R B E R G H : indie sex, corporate lies, and digital videotape A N D R E W D E WA A R D & R. The cinema of B É L A TA R R : the circle closes A N D R Á S B Á L I N T K O VÁ C S The cinema of R I C H A R D L I N K L AT E R : walk, don’t run ROB STONE The cinema of A K I K A U R I S M Ä K I : authorship, bohemia, nostalgia, nation ANDREW NESTINGEN The cinema of M I C H A E L M A N N : vice and vindication J O N AT H A N R AY N E R The cinema of R A Ú L R U I Z : impossible cartographies MICHAEL GODDARD The cinema of M I C H A E L W I N T E R B O T T O M : borders, intimacy, terror BRUCE BENNETT The cinema of A L E X A N D E R S O K U R O V : figures of paradox J E R E M I S Z A N I AW S K I The cinema of A G N È S VA R D A : resistance and eclecticism DELPHINE BÉNÉZET The cinema of I S T VÁ N S Z A B Ó : visions of europe JOHN CUNNINGHAM
Other selected titles in the Directors’ Cuts series: the cinema of J A M E S C A M E R O N : bodies in heroic motion JAMES CLARKE Eastwood’s Politics: ‘Leave everyone alone’.Įpilogue: ‘If somebody’s dumb enough to ask me…’.
Invictus: From John Huston to Jersey Boys.ħ. Portrait of the Artist as a Major Player: From Pale Rider to Bird.Ħ. Any Which Way He Can: From Misty and Harry to High Plains Drifter and The Outlaw Josey Wales.ĥ. The Rising Star: Clintus, Siegelini, and Company.Ĥ. A Fistful of Movies: Rowdy Yates and the Man With No Name.ģ. Pros and Cons: The Case For/Against Clint.Ģ.
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